Dancing with Trees by Karlin G Love

Score

Unaccompanied clarinet in three movements
1. Looking Up, c.1'40
2. Burning, c.1'25
3. Breeze, c.1'00
Inspired by paintings of Christina Booth at an exhibition of the same name.  The paintings are full of movement, colour and life.
Composed 2005

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 ISMN 9790720172361

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Deepwater I by Karlin G Love

Two Scores

Alto flute and guitar, c.2'10
This piece reflects upon exuberant joy of the process of forgiveness and on the life of the South Esk River as it flows through Cataract Gorge in Launceston, Tasmania,
Composed 2002

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 ISMN 9790720172378

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Freygish Blue, A by Karlin G Love

Score and parts

Solo piano
This piece draws on blues structures and Klezmer harmonies, in particular the freygish mode.
Composed 2016

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 ISMN 9790720209074

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Musings on a Bach Sarabande by Karlin G Love

Score and parts

Concert Band - woodwind, brass and percussion.
The mused-upon Sarabande is from J.S. Bach’s B minor Partita for unaccompanied violin (BMV 1002). Musings uses the opening phrase from the Sarabande and fragments from the following Double, and is based on chord progressions from both (with digressions).
Audio recording by the University of Tasmania Wind Orchestra, conducted by Monte Mumford, in 2011, used with permission.
(Hard copy price is indicated by A3 conductor's score and full set of parts.)
Composed 2003

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 ISMN 9790720209050

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Six Ears by Karlin G Love

Score and parts

Cello Trio - to develop ensemble skills
These trios are designed to develop ensemble listening skills. Rather than use dynamic markings, roles are indicated, such as ‘lead, harmony, melody, bass line, accompaniment’.
All parts are of similar difficulty, Grumble is the easiest; Role Play is the most difficult.
1.  Grumble, c.2'30
2.  Not Yet, c.2'00
3.  Disturbingly Beautiful, c.1'45
4.  Role Play, c.3'00
Composed 2015

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 ISMN 9790720209074

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Walking in the Labyrinth by Karlin G Love

Score

Concert Band, c.5'30
The route progresses of a labyrinth is through short lengths and quick direction changes, gradually becoming mostly long stretches with few turns until one reaches the centre: a place to pause and enjoy the stillness. Walking in the Labyrinth is built upon a progression through three tonal centres and a melody that was first created in 7/4. In the first part of the piece each section presents the melody in a different meter, the first ones truncating it, the later ones extending it, moving from the quick changes and turns of the labyrinth and initial surprises on the track to slower changes and settling into one’s walking rhythm. It reaches a centre of stillness and reflection, then begins the trip back out, with dancing variations of the melody, energised and joyful.
Go for a walk – without headphones – and let your feet, eyes and ears refresh and refocus you!
Included with the score are parts is a set of 'Labyrinth tunes meters' pages presenting the melody in each meter, in suitable clefs and transpositions should you like to try them with your ensemble.
Composed 2016

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 ISMN 9790720172354

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