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Features 32 songs from six song cycles by prominnt Autralian composers - Ian Cooper, John Peterson, Richard Charlton, Margaret Sutherland, Dulcie Holland and Nigel Butterley who have set poems by Jane Adamson, William Blake, Kenneth Slessor, Mary Gilmore, Robin Gurr. Performed by Wendy Dixon (soprano) and David Miller (piano).
Print music for First Person Feminine, Eternity's Sunrise, Four Blake Songs and Child in Nature are available online.
Wirripang label wirr036 |
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First Person Feminine - Ian Cooper (Adamson)
1 i 2 ii 3 iii 4 iv 5 v
6 vi 7 vii
Eternity's Sunrise - John Peterson (Blake)
8 Auguries of Innocence
9 On Another's Sorrow
10 Holy Thursday
11 Endless Night
12 Eternity
Statues - Richard Charlton (Slessor)
13 The Statues Awake
14 Venus and Apollo
15 Flowers
16 The ghosts of flesh
17 Reality
Four Blake Songs - Margaret Sutherland (Blake)
18 Memory, hither come
19 Piping down the valley wild
20 How sweet I roamed
21 I love the jocund dance
Four Mary Gilmore Songs - Dulcie Holland (Gilmour)
22 Whom shall I praise?
23 Spring
24 The loving heart
25 Rittle rattle rittle
Child in Nature - Nigel Butterley (Gurr)
26 The Child
27 The Bird
28 Brown Jack
29 Spider's Web
30 The Cricket
31 The Wind and the Song
32 A Dark Glow About Me |
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22 piano works by Phillip Wilcher, performed by Jeanell Carrigan
Print music for most of the works are available online.
Wirr023 |
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Aaaron's Eight (1-8)
1 Allegro, 2 Lento Dolente,
3 A Piacere, ma con motto, 4 Adagio - ben sostenuto, 5 Moderato,
6 Allegro con brio, 7 Andante,
8 Allegro Vivace
Bacchante (9-18)
9 Andante, 10 Allegretto,
11 Toccata con moto (quasi allegretto)
12 Largamente, ma non adagio
13 Vivace, 14 Allegretto,
15 Allegretto, 16 Andante maestoso
17 Moderato semplice, 18 Lento
19 Bundanon
20 Prelude for the Right Hand
21 Rhapsody
22 The Sorrow of Angels |
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The creative aesthetic behind this project is to have a strong intercultural focus featuring Asia-Pacific traditions of Korean samul nori drumming techniques, Filipino kulintang percussion, Japanese shakuhachi 'moment' aesthetic and East Asian string techniques (Korea, Japan, China) interacting with contemporary music. The trajectory from modern violin through to Chinese erhu and Korean kayageum techniques interacting within contemporary composition and cutting edge digital technology forms a thread behind this collection. The sound of Asia-Pacific gongs (Korea, China, Philippines) intersecting with modern percussion as an enlargement of the contemporary music tradition in performance and composition is another angle. Finally the use of the techniques of reed membrane and coloured breath from Western clarinet to Japanese shakuhachi exploring the 'single-note' aesthetic of East Asia within contemporary composition and improvisation also forms a focus. Wirr 028 |
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1 Tristan Exploded (Ian Stevenson)
Haiku 1 (John Encarnacao)
2 Between the sky and ...
3 ... the not sky we fly towards ...
4 ... the heart of winter
5 Not Broken Bruised-Reed (Bruce Crossman)
6 Genji (the Shining Prince) and the Koto Player (Diana Blom)
7 Patina (Michael Atherton)
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