JENNIFER TRYNES
Born in Sydney in 1966 Jennifer Trynes was educated at
James Ruse Agricultural High School and the University of Sydney where she completed a BA
degree with a double major in Music; her special interests were Composition and Aboriginal
Performing Arts.
In keeping with her life-long interests in
agriculture and the environment, Jennifer lives on a property on the mid-North Coast. She has undertaken a major project to regenerate
the old-growth forest on her property. Jennifer
finds inspiration in the ancient presence of the rainforest, with its rushing waterfall,
its abundant wildlife, its overwhelming sense of antiquity.
Being ecologically sensitive, Jennifer follows an almost totally
self-sufficient lifestyle, using only tank water and solar power to help reduce her
familys environmental footprint.
Jennifers interest in music education and
composition began during her school days; even before her graduation she had already built
up a well-reputed private studio. In 1988 she
also commenced teaching piano, theory and musicianship at Trinity Grammars Summer
Hill campus and Strathfield Campus where she still maintains a studio, commuting to Sydney
each week.
With over 20 years successful teaching
experience, Jennifer has evolved a system of carefully graded pieces comprising 5 books,
entitled Progressive Piano Series. These
books lead the students step by step from absolute beginner to a level where they can move
smoothly to AMEB and other examining studies or continue playing simply for pleasure,
building on the solid foundation provided in her piano series.
Her own students (and those of her colleagues)
proceed eagerly from piece to piece, learning a new concept or skill from each one. The music is both challenging and appealing to the
young learner and the books are well-presented with illustrations by Anthony J. Tallon
that reflect Jennis lively interest in Australian wildlife.
However, Jennifers compositions are not limited to
music for the early learner. She has produced
a wide variety of piano pieces, including a book of preludes, and seven works in an album
entitled Contrasts, among others. Many
of these compositions are suitable for performance by advanced students, at HSC
examinations, eisteddfods or as AMEB extra lists. As
with all her works, Jennifers more advanced pieces extend the performer: they are not only technically challenging but
interpretatively demanding. Both precision
and expressive maturity are required to realise their potential.
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