Orchestral, c.11- 12 mins This linear structure begins with murky material, as the light of dusk can be when Night has not fully fallen. Clearer material and musical layers, including melodic lines in the oboes and clarinets as well as a rhythmically driven bass line in the bassoons, tuba and contrabasses, replace this murkiness gradually. Quartertones appear incorporated into Harmonic Fields as the work progresses. These are placed on top of each other during the middle section with mostly Brass emphasising one while mostly Strings and Woodwinds the other. These accumulate in intensity to a climactic point. ISMN 9790720078618
Two movemtns - con espressione, c.6'00 and vivace, c.8'00. Commissioned by Rev Dr Arthur Bridge on behalf of Ars Musica Australis. Premiere performance to be held in July 2010 by the Wollongong Symphony Orchestra ISMN 9790720101941
This piece is part of a trio of works that use similar musical elements to emphasise various representations of Night. Die Nacht kommt conveys imagery of a Hazy and Foggy Night and achieves this through blurred voicing and “out-of-phase” melodic lines and quartertonal scales. Artificial string harmonics and resonant metallic percussion opens the work accompanied at first by Violas and later Oboes and muted Trumpets. c. 9-10 mins. Grade - professional ISMN M720065984
Orchestral work, c.12'30 Parts available on request ISMN M720060613
Chamber Orchestra, c.5'00 ISMN 9790720078847
Orchestra, soprano, didjeridu and clapsticks, c.7'00 Kamawarah was commissioned by the New South Wales Centenary of Federation Committee on the occasion of the celebrations in Centennial Park, January 1, 2001 ISMN 9790720101262
Scored for Horns, Trombone, Didj, Strings and SATB. ISMN M720065137
Orchestral, c.9'00 Draws on the concept of aurally deceiving the audience as its main emphasis. Modes of Deception was awarded the 2008 2MBS FM WSOC Young Composers Award and first performed by the Willoughby Symphony Orchestra in 2008. ISMN 9790720093888
SSA and school orchestra, c.7'0 My Cathedral - sheet music
This concerto for piano and orchestra was composed in 1991 and commissioned by Sally Mays a well known Australian pianist from Melbhourne who has spent most of her life in London. Included in the large orchestra is a bass clarinet (which imitates the sound of the didjeridu) and clapstick which are intended to give a tone conour that emphasises the aboriginal origin of the melodies used in the slow movement and last movement. ISMN 979 0 720101 620
