Amplitude by Peter Mcnamara

score

Solo percussion (vibraphone and tam tam) and pre-recorded electronics, c.11'10
Composed 2013
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 ISMN 9790720146232

$50.00

An Ear to Hear by Robert Burrell

Score and CD

For solo flute and/or electroacoustic soundscape. The accompaniment is an audio recording of bird calls, Brisbane State Forest and Mt Mee.  Composed 2011.

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An Ear to Hear - sheet music and audio





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 ISMN 9790720140551

$15.00

Becoming by Robert Burrell

Score and CD

For solo violin and sound track. The accompaniment is an audio recording of bird calls, Butcherbird.  Composed 2011.

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Becoming - sheet music and audio





 

 

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 ISMN 9790720171395

$18.00

Fragments by Vincent Giles

Score and parts

Flute ensemble  c.5'00
It is a composition that takes a series of musical fragments, which, discreetly, demonstrate two main musical themes, which are transformed and re-presented throughout the work. These fragments are arranged as independent “sound masses”, much in the same way as electroacoustic music, interacting differently according to what sounds they are placed with. The piece is designed to be antiphonic, for stereo perception and the players are split up accordingly,  the parts interact from left to right and vice-versa.   Composed 2010 rev 3013

  

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 Fragments - sheet music






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 ISMN 9790720140506

$35.00

Voice of the Depths by Peter Mcnamara

score and CD

Piano, percussion and pre-recorded electronics,  includes CD.

Russell Keats, eldest son of the Australian composer Horace Keats, was killed during the attack on his ship HMAS Canberra  (1) during 1942. His father and entire family was devastated by this event, and Horace Keats composed a very solemn and reflective song in memory of his son entitled Over the Quiet Waters. Voice of the Depths is composed for piano, percussion and pre-recorded electronics, and follows the story of Russell Keats during his deployment on the  Canberra. Spoken passages of text from the letters sent home to his family, read by his brother Brennan Keats, outline and initiate the structural points of the work. The pitches from the central motif of Over the Quiet Waters form its harmonic basis, and are used as fundamentals from which other pitch material is derived from their physical-acoustic properties. These physical-acoustic properties are used to synthesise sounds in the electronic component of the work, and are re-enforced in the piano and vibraphone parts. A speaker is also directed into the piano internal mechanism to agitate the strings creating sympathetic vibrations at various points. This results in a subtle reverberation effect that blends with the electronic reverberation and creates deceptive tone colour transformations.
Composed 2015
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 Voice of the Depths  - sheet music 
 Voice of the Depths  - audio

https://soundcloud.com/side_band/voice-of-the-depths-peter-mcnamara-excerpt




 

 

 

 

 

 

 

 

 

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 ISMN 9790720167954

$55.00

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