After Dark by May Howlett

Score and parts

Trio for flute, violoncello and piano, c.4'20
Composed 2012
!http://www.youtube.com/watch?v=0YgtgNvMF4Y
 


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 ISMN 9790720133881

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Allegro and Sarabande de Concert by Phillip Wilcher

Score and part

Cello and piano, c.5'30
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 ISMN 9790720093833

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Ballade by Mike Irik

Score

Cello and piano  
Composed 1990
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 ISMN 9790720166315

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Beneath the Yellow Moon by Ann Carr-boyd

Score and part

Cello and piano,  c.15'00, suggested grade 8-A.MusA
The three movements form a large ternary structure and the cello imitating the didjeridu at various points in the score evokes a distinctly Australian feel. Some opportunities are provided for improvising high harmonics in the cello part during the third movement which suggests images reminiscent of outback mirages.
1.  Beneath the Yellow Moon, c.8'30
2.  Billabong, c.4'30
3.  Dreamtime Haze, c.2'00
Composed 2004/2005


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 ISMN9790720159478

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Cadenza II by Peter Mcnamara

score

Solo violoncello, c.8'30
Composed 2012
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 ISMN 9790720133232

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Catch 75 by Ann Carr-boyd

Score and parts

Voice, recorder, cello, harpsichord and sticks, c.8'35.  Composed 1975.
This work is a mix of aboriginal and European instruments using techniques from both traditions and reflecting music of both traditions although many of the effects in this piece could be improvised.

Part of the recent collection of 38 pieces for "Flying West" - and all recorded by Thoroughbass on a double CD available online Wirr 066
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Chamber Sonata by Brett M Mckern

score and parts

Alto saxophone, cello and organ in three movements:
I   Centratura c.5’00
II  Scherzo c.1’50
III Introduzione e Fuga c.4’10
The opening movement starts with each performer offstage, the saxophone and cello playing as they walk onto the stage. Their search for tonality and synchronicity, begins with just a few notes. A motive develops for each instrument; the cello begins with open strings, the organ part with a small diatonic cluster, and the three instruments eventually come together as an ensemble. Composed 2016


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Changing Moods by May Howlett

Score and part

Cello and piano, and unaccompanied, c.10.30. Suggested grades 5-7.
The expressive range of the cello is explored technically in light-hearted treatments of a variety of styles. From the sweeping bow for the rich tones required of the Etude; the sharpness of attack in the drama of the tango; and on to the more contemplative, abstract approach in the solo piece, Reflections on Siloam.
Three movements:.
1. Etude Fantastique, c.2'30 .
2. Reflections on Siloam, c.3'50 - unaccompanied.
3. The Tempermental Tango, c.4'0.
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2. Reflections on Siloam - sheet music
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Couperin by Ann Carr-boyd

Score and parts

Spoken voice, harpsichord and ensemble, c.10'15.  Composed 1974.
The spoken words are taken from Francois Couperin’s L’Art de toucher Le Clavecin, a manual on harpsichord playing which Couperin wrote in 1716. In it he covers very completely all matters of style and technique, from which a few sentences have been chosen as a starting point for this composition, which is a homage to French music of all periods.

Part of the recent collection of 38 pieces for "Flying West" - and all recorded by Thoroughbass on a double CD available online Wirr 066
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Devils at Dusk by Natasha Trinkle

Score and part

Cello and piano, c.4'45
Devils at Dusk begins and ends with improvised sections in which the cellist is encouraged to create a soundscape depicting either Tasmanian Devils or an Australian bush setting. These sections also provide an opportunity for developing cellists to explore extended technique and find different sounds that they enjoy creating with the cello. Composed 2015
Published under the Wirripang New Composition scheme.

Natasha Trinkle is a freelance cellist and cello teacher living in Melbourne. Her interests include the use of cello in traditional and folk music genres, as well as composition and Australian improvised music. Natasha began learning piano at the age of five and cello at the age of nine. Cello became her main focus and in 2000 she completed a Bachelor of Music at the Elder Conservatorium in Adelaide. Following this she began exploring the role of cello in various contexts, in particular Scottish folk music, jazz, and improvised music. It was this passion for improvising that prompted Natasha to complete Honours in cello performance at Monash University in 2015. During this time, she also began experimenting with composition, and with support from staff at Monash, Natasha was able to integrate improvisation and composition into her Honours performance program. In November 2015, Natasha Trinkle won first prize for Devils at Dusk in the inaugural ANZCA composition competition at Monash University.
https://soundcloud.com/user-442802179/devils-at-dusk

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 ISMN 9790720171029

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Distance Embedded, A by Houston Dunleavy

Score

Solo Cello - based on fragments of a Korean folk song, c.9'30
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 ISMN M720011684

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Duo-Charged (cello) by Peter Mcnamara

score and part

Violoncello and piano, c.5'10
This short piece in three movements is very intense and 'charged'. First movement is very rhythmically strict, the second is unmeasured and free while the third movement sees a gradual return to the rigid and intense material of the first.  Originally written for violin in 2006, arr. 2009
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 ISMN 9790720106175

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