Percussion
Duo Sonata, Op.4
By Jonathan Little
Regular price
$45.00
On Elizabethan Songs of John Dowland, Thomas Campion, William Corkine, Alfonso Ferrabosco and Robert Jones.
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Duo-Generare
By Peter Mcnamara
Regular price
$30.00
Elegy 'In Memoriam Peter Sculthorpe'
By Harry Sdraulig
Regular price
$35.00
Scored for full strings, timpani and percussion (including anvil and vibraphone).
Elegy ‘In Memoriam Peter Sculthorpe’ was written in commemoration of one of Australia’s most inventive and influential composers, whose passing on August 8, 2014 was deeply felt by the countless musicians and audiences to have been touched by the integrity, humanity and beauty of his music.
Though this piece contains a few deliberate references to Peter Sculthorpe’s music, especially through the use of percussion (reminiscent of Earth Cry) and the desolate spirituality of the cello solo at the work’s heart, the composer has avoided any attempt at imitation or pastiche, instead composing a work true to his own individual language. It is nevertheless written with heartfelt respect for a man whose influence on the landscape of Australian art music is unparalleled.
Composed 2015
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ISMN 9790720172651
$25.00 for instant PDF download score and parts
Feast of Kings and Martyrs, Op.8, The
By Jonathan Little
Regular price
$40.00
Feel the Vibes
By Michael Atherton
Regular price
$25.00
Composed 2012.
Price for hard copy includes two sets.
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Fungi Feud
By Linda Dalgliesh
Regular price
$15.00
Trio for Percussion c.1'20
A delicate but confident march, lead by the Glockenspiel, propelled by the martial insistence of the Snare Drum with moral support and encouragement offered by an enthusiastic Tambourine.
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ISMN 9790720249001
$10.00 for instant PDF download score and parts
Glimmer of Foresight, A
By Vincent Giles
Regular price
$50.00
Small Ensemble for flute, clarinet, horn, violin, cello, piano and percussion, c. 6'00 - 7'00.
This piece is an exploration of spectralism, defined as the predominant use of timbre for material and structure. The question is - can spectralism inform an approach to improvisation? Composed 2012.
Audio sample used with permission - Arcko Symphonic Ensemble, conducted by Timothy Phillips.
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ISMN 97907201266223Grey Butcher Bird
By Robert Burrell
Regular price
$20.00
The xylophone performs exclusively melodic and harmonic material derived from transcriptions of the call of the Grey Butcher Bird, while the marimba is an accompaniment using the notes that are also derived from the bird cal.
Composed 2011
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ISMN 9790720140926
$15.00 for instant PDF download score and part
Happy Hammers
By John D'Arcy
Regular price
$10.00
Heavy Rock Metal Dancer meet the BaroQ Bear, The
By Gina Ismene Chitty
Regular price
$40.00
For piano, harpsichord, drums and cymbals, c.4'00
The BaroQ Bear is a character from the Grunewald (Green Forest) in Berlin of the the early 1700s. He habitually composes preludes, fugues and toccatas in abundance, conjecturing what he perceives as logical, balanced tonal relationships and brilliantly opposing thematic arguments. He time-travels to the twenty-first century and has an encounter with a long-haired young man carrying an electric guitar. He is astounded by the young man’s nonchalant demeanor.
As the young man begins to play rock music on his guitar, the Bear becomes increasingly perturbed by the illogical harmonic nuances in his musical output.
He seemed to be hammering out the same few notes and making a metallic noise which the BaroQ bear perceived as irritating and tediously wearisome. He speaks to the young man slowly and explains the logic of counterpoint, and a better way to create good music. The two of them play together, each in his own way, and finally, after a lengthy narration from the BaroQ bear, they merge and settle the score in an amicable manner.
Composed 2020
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ISMN 9790720249445
$30.00 for instant PDF download score and parts
Immortal Spark, The
By John Peterson
Regular price
$90.00
In the Groove
By Michael Atherton
Regular price
$8.00
Composed 2012
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