Browse
- Print Music
- » Piano
- » Piano Early Grades
- » Piano Intermediate Grades
- » Piano Advanced Grades
- » Anthologies
- » Piano Duet
- » Piano - Two Pianos
- » Piano Accordion
- » Harpsichord
- » Organ
- » Toy Piano
- » Piano Trio
- » Strings
- » Violin
- » Viola
- » Cello
- » Double Bass
- » Duos
- » Guitar
- » Harp
- » Mandolin
- » String Orchestra
- » String Quartet
- » String Quintet
- » String Trio
- » Woodwind
- » Flute
- » Piccolo
- » Clarinet
- » Cor Anglais
- » Oboe
- » Bassoon
- » Saxophone
- » Shakuhaci
- » Flute Quartet
- » Woodwind Ensemble
- » Recorder
- » Brass
- » Ensemble
- » Horn
- » Trombone, Tuba
- » Trumpet, Cornet
- » Percussion
- » Mixed ensemble
- » Vocal
- » Soprano-Mezzo-Alto
- » Tenor
- » Baritone-Bass
- » Vocal and Instrumental
- » Young Voices
- » Anthology - voice
- » Choral
- » Music Theatre
- » Opera
- » Christmas Music
- » Orchestral
- » Concert Band
- » Jazz
- » Chinese Instruments
- » Theremin
- » Electroacoustic
- » Music of World War I and II
- » Wirripang New Composition
- Australian Heritage Series
- HSC and Senior Music (all States) Performance Repertoire
- » Piano Senior Music
- » Vocal Senior Music
- » Strings Senior Music
- » Woodwind Senior Music
- » Brass Senior Music
- » Percussion Senior Music
- » Organ Senior Music
- » Composition Senior Music
- » Musicology and Aural Senior Music
- » Sight Reading and Singing Senior Music
- Teaching Resources
- » Aural and Rhythmic Skills
- » HSC Music 1 and 2
- » Piano Pedagogy
- » Piano Grades
- » Vocal Pedagogy
- » Other Instrumental Pedagogy and Repertoire
- CDs
- Books
- » Biographical
- » General
- YouTube
- Wirripang Special Account
- Composers and Authors
Magnificat - Song of Mary
By Kathleen Mcguire
Regular price
$10.00
For women's voices and piano, c.5'15
The composer suggests performers sing the 1662 English but apply contemporary context, moving beyond a literal interpretation.The work ebbs and flows between consonance and dissonance, reflecting the drama of the Canticle. Some of the intervals and rhythms may challenge inexperienced singers; aural cues from the piano part and canonic patterns that move from one vocal part to another will help singers to find their way when learning their parts. Composed 1984 rev. 2016
For discount on multiple copies contact keats@wirripang.com.au
The composer suggests performers sing the 1662 English but apply contemporary context, moving beyond a literal interpretation.The work ebbs and flows between consonance and dissonance, reflecting the drama of the Canticle. Some of the intervals and rhythms may challenge inexperienced singers; aural cues from the piano part and canonic patterns that move from one vocal part to another will help singers to find their way when learning their parts. Composed 1984 rev. 2016
For discount on multiple copies contact keats@wirripang.com.au
Download samples
ISMN 9790720171931
$8.00 for instant PDF download 