Browse
- Print Music
- » Piano
- » Piano Early Grades
- » Piano Intermediate Grades
- » Piano Advanced Grades
- » Anthologies
- » Piano Duet
- » Piano - Two Pianos
- » Piano for Left Hand
- » Piano Accordion
- » Harpsichord
- » Organ
- » Toy Piano
- » Harp
- » Piano Trio
- » Strings
- » Strings grades
- » Violin
- » Viola
- » Cello
- » Double Bass
- » Duos
- » Guitar
- » Harp
- » Mandolin
- » String Orchestra
- » String Quartet
- » String Quintet
- » String Trio
- » String Ensemble
- » Woodwind
- » Woodwind grades
- » Flute
- » Flute Quartet
- » Piccolo
- » Clarinet
- » Cor Anglais
- » Oboe
- » Bassoon
- » Saxophone
- » Recorder
- » Shakuhaci
- » Woodwind Ensemble
- » Brass
- » Brass grades
- » Ensemble
- » Horn
- » Trombone
- » Trumpet, Cornet
- » Tuba
- » Percussion
- » Marimba
- » Vocal
- » Vocal grades
- » Soprano-Mezzo-Alto
- » Tenor
- » Baritone-Bass
- » Art Song
- » Vocal and Instrumental
- » Young Voices
- » Anthology - voice
- » Bush Poets
- » Choral
- » Sacred
- » Secular
- » Choral Anthologies
- » Junior Choirs
- » Music Theatre
- » Christmas Music
- » Ballet
- » Opera
- » Chamber Music
- » Mixed ensemble
- » Orchestral
- » Concert Band
- » Jazz
- » Chinese Instruments
- » Theremin
- » Electroacoustic
- » Music of World War I and II
- » Wirripang New Composition
- Australian Heritage Series
- HSC and Senior Music (all States) Performance Repertoire
- Teaching Resources
- CDs
- Books
- » Biographical
- » General
- Wirripang Anthologies
- Gallery
- Wirripang Special Account
- Composers and Authors
Fantasie
By Tania Owens
Regular price
$15.00
Sale
Solo flute, c.4'00. Grade 6
The melody for Fantasie was inspired by harpist friends of mine with whom I often play flute. In it I attempted to capture the free and languid essence of that instrument by using flexible rhythmic motives, long phrases and glissandos. The use of the breath and pause is important in the piece with the idea of allowing significant phrases to hang momentarily in the air. The opening motive recurs in different disguises and moods throughout the piece and then again in its original form at the end of the work to close the circle.
Composed 2017
The melody for Fantasie was inspired by harpist friends of mine with whom I often play flute. In it I attempted to capture the free and languid essence of that instrument by using flexible rhythmic motives, long phrases and glissandos. The use of the breath and pause is important in the piece with the idea of allowing significant phrases to hang momentarily in the air. The opening motive recurs in different disguises and moods throughout the piece and then again in its original form at the end of the work to close the circle.
Composed 2017
Download samples
ISMN 9790720226750