Browse
- Print Music
- » Piano
- » Piano Early Grades
- » Piano Intermediate Grades
- » Piano Advanced Grades
- » Anthologies
- » Piano Duet
- » Piano - Two Pianos
- » Piano Accordion
- » Harpsichord
- » Organ
- » Toy Piano
- » Piano Trio
- » Strings
- » Violin
- » Viola
- » Cello
- » Double Bass
- » Duos
- » Guitar
- » Harp
- » Mandolin
- » String Orchestra
- » String Quartet
- » String Quintet
- » String Trio
- » Woodwind
- » Flute
- » Piccolo
- » Clarinet
- » Cor Anglais
- » Oboe
- » Bassoon
- » Saxophone
- » Shakuhaci
- » Flute Quartet
- » Woodwind Ensemble
- » Recorder
- » Brass
- » Ensemble
- » Horn
- » Trombone, Tuba
- » Trumpet, Cornet
- » Percussion
- » Mixed ensemble
- » Vocal
- » Soprano-Mezzo-Alto
- » Tenor
- » Baritone-Bass
- » Vocal and Instrumental
- » Young Voices
- » Anthology - voice
- » Choral
- » Music Theatre
- » Opera
- » Christmas Music
- » Orchestral
- » Concert Band
- » Jazz
- » Chinese Instruments
- » Theremin
- » Electroacoustic
- » Music of World War I and II
- » Wirripang New Composition
- Australian Heritage Series
- HSC and Senior Music (all States) Performance Repertoire
- » Piano Senior Music
- » Vocal Senior Music
- » Strings Senior Music
- » Woodwind Senior Music
- » Brass Senior Music
- » Percussion Senior Music
- » Organ Senior Music
- » Composition Senior Music
- » Musicology and Aural Senior Music
- » Sight Reading and Singing Senior Music
- Teaching Resources
- » Aural and Rhythmic Skills
- » HSC Music 1 and 2
- » Piano Pedagogy
- » Piano Grades
- » Vocal Pedagogy
- » Other Instrumental Pedagogy and Repertoire
- CDs
- Books
- » Biographical
- » General
- YouTube
- Wirripang Special Account
- Composers and Authors
Exhibited Symmetry
By Peter Mcnamara
Regular price
$22.00
Solo piano, c.5'00
The work's title is indicative of its various symmetrical pitch patterns. Structurally it focuses on contrasting "time-space" notated sections that have no rhythm, with very rhythmically strict sections. Overall this technique is used to create faster and faster tempi culminating with the fastest of these at the climax. The finale uses this process in reverse. Composed 2010
The work's title is indicative of its various symmetrical pitch patterns. Structurally it focuses on contrasting "time-space" notated sections that have no rhythm, with very rhythmically strict sections. Overall this technique is used to create faster and faster tempi culminating with the fastest of these at the climax. The finale uses this process in reverse. Composed 2010
Download samples
ISMN 9790720106687
$15.00 for instant PDF download 